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The disruptive power of montage has often been regarded as a threat to scholarly representations of the social world. This volume asserts the opposite: that the destabilization of commonsense perception is the very precondition for transcending social and cultural categories. The contributors-anthropologists, filmmakers, photographers, and curators-explore the use of montage as a heuristic tool for comparative analysis in anthropological writing, film, and exhibition making. Exploring phenomena such as human perception, memory, visuality, ritual, time, and globalization, they apply montage

Ethnology --- Motion pictures in ethnology --- #SBIB:39A5 --- #SBIB:39A8 --- 7.01 --- 791.43.01 --- 069.4 --- 111.852 --- 82.01 --- Antropologie ; over montage --- Moving-pictures in ethnology --- Visual anthropology --- Philosophy --- Authorship --- Kunst, habitat, materiële cultuur en ontspanning --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- Kunst ; theorie, filosofie, esthetica --- Filmkunst ; theorie, filosofie, esthetica --- Museologie ; werkwijzen mbt het opzetten van tentoonstellingen --- Filosofie ; Kunstfilosofie. Esthetica --- Literatuur ; essays over literatuur --- Ethnology-Philosophy. --- Ethnology-Authorship. --- Motion pictures in ethnology. --- Philosophy. --- Authorship.